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    John Fedchock's NY Sextet Releases "Live At The Red Sea Jazz Festival":

    Available April 20, 2010 on Capri Records

    The John Fedchock NY Sextet makes its hard-driving recording debut on Live at the Red Sea Jazz Festival (April 20, Capri). Led by trombonist-composer-arranger John Fedchock, whom Jazz Journal International called, "a superb trombone soloist," the band features some of the most dazzling post-bop talent in the Big Apple, including trumpeter Scott Wendholt, tenor saxophonist Walt Weiskopf, pianist Allen Farnham, bassist David Finck, and drummer Dave Ratajczak. Inspired by the 2008 jazz festival crowd, this high-powered unit turns in a sleek set of fast-paced swinging music played with vitality, elegance and wit.

    Fedchock himself is in superb form. His solo on the opening "This Just In" displays his distinctive silky, burnished tone and assured sense of line. The sound is as mellow as a single malt scotch, but Fedchock's inventiveness never lapses, as long, involved harmonically risky lines sail over the solid foundation laid down by bassist Finck and drummer Ratajczak. On "Elvin's Empire," the warm glow of his sound lends a special intimacy to a relaxed but engaging solo that builds to a climactic flourish. "Moon Alley" brings out his more lyrical side, with leisurely, spontaneous melodies building into joyfully tumbling phrases. The quicksilver tempo changes of Fedchock's arrangement of the Ellington/Tizol chestnut "Caravan" offers the band some fresh challenges on an often played classic. Fedchock's facility and musicianship make him more than equal to the challenge and his solo is one of his most unfettered and exuberant on the disc.

    His sextet is up to the challenges as well. This is a band completely fluent in the post-bop jazz vocabulary. They handle the Latin groove of "That's All Right" and the tricky tempo changes of "Caravan" as easily as the energetic swing of "This Just In" and trumpeter Tom Harrell's lovely "Moon Alley." Trumpeter Wendholt sends his sunny tone and gracefully dipping and weaving lines kiting over the rhythm section on "This Just In" and "That's All Right!". Weiskopf, with his big, burly tenor sound and voice-inflected wails, works up a majestic and impassioned solo on "Elvin's Empire," Fedchock's African-tinged tribute to Coltrane's rhythmic alter ego, drummer Elvin Jones. Pianist Farnham is a rhythmically precise, supportive accompanist as well as a sparkling soloist. His light, dancing touch, down-home blues inflections, and deft left-hand punctuations combine for a dazzling solo on "This Just In" and his chords dig deep into the groove of "Elvin's Empire." Drummer Ratajczak also has a light, but firm touch with plenty of power as well as subtlety. His solo on "Caravan" features his use of dynamics and space to create drama, and his exceptionally musical approach to combining parts of the drum kit for color, texture and melody. Finck integrates his bass into the music with unerring time and a sophisticated harmonic ear. His solos on "This Just In" and "That's All Right!" showcase his smooth facility on his instrument and a love of melody and propulsive beat.

    Since his emergence as a jazz trombonist with the legendary Woody Herman Orchestra in 1980, the multifaceted Fedchock has established himself as a soloist, bandleader, and a Grammy-nominated arranger. Fedchock toured with the Thundering Herd for seven years, and served as musical coordinator and chief arranger on Herman's last two Grammy-nominated albums, 50th Anniversary Tour and Woody's Gold Star. He has also toured around the world with T.S. Monk, Gerry Mulligan's Concert Jazz Band, Louie Bellson's Big Band, the Bob Belden Ensemble, the Manhattan Jazz Orchestra, and the Carnegie Hall Jazz Band. "Fedchock plays with a dark, virile, sharply etched tone, and he's as well organized and aware of texture in his articulate solos as he is in his terrific arrangements,"_ says Neil Tesser in the Chicago Reader. Legendary jazz critic, Leonard Feather called Fedchock simply, "a superior jazz trombonist."

    Since 1992, the John Fedchock New York Big Band has released four critically acclaimed CDs, including the 2002 release, No Nonsense which earned Fedchock a Grammy nomination for his outstanding arranging. The New York Times applauded the band's 2007 Up & Running, for its "cheerful syncopation, served with spit-and-polish precision." Drawing on members of the big band, his sextet album, Hit The Bricks, made DownBeat magazine's Best CDs of 2000 list. Inspired by the album's success, he created the John Fedchock NY Sextet, which has performed throughout the U.S., and at international jazz events. He holds a master's degree from the Eastman School of Music in Rochester, New York, and teaches at Purchase College in Purchase, New York.

    Fedchock may be leading a small group on Live at the Red Sea Jazz Festival, but he still gets big-band power and excitement from his vibrant sextet.

    Capri Records is a leading independent label started by record collector, jazz enthusiast and entrepreneur Tom Burns. Launched in 1983 with a release by tenor saxophonist Spike Robinson, the Bailey, Colorado-based label now has a catalog of over one hundred titles including those by bassists Ray Brown and Red Mitchell, trombonists Al Grey and Phil Wilson, saxophonist Bud Shank and drummer Louie Bellson. Over the years Capri has helped launch the careers of a number of artists, including trumpeter Ron Miles, flutist Holly Hofmann, composer/arranger Chie Imaizumi and the John Clayton/Jeff Hamilton Jazz Orchestra. Capri Records has been named "Best Jazz Label" in Denver's Westword Newspaper. In the past three decades, Capri has released stellar albums by the Jeff Hamilton trio, the Mark Masters Ensemble, the Grachan Moncur III Octet, saxophonists Bud Shank with Phil Woods, guitarist Joshua Breakstone, drummer Jeff Hamilton, pianist Mike Wofford, pianist Michael Pagan, flutist Holly Hofmann (recently with pianist Bill Cunliffe,) guitarist Graham Dechter, saxophonist Keith Oxman, trombonist Phil Wilson, the Curtis Fuller sextet, and many others.

    For more information, contact:

    Capri Records Ltd.
    P.O. Box 892
    Bailey, CO 80421-0892
    Phone : 303-816-1367
    Fax : 303-816-1362

    EMAIL: caprirecords@caprirecords.com
    WEBSITE: www.caprirecords.com

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